A collaborative project with Christalena Hughmanick uses rejected Burberry raincoat fabric in the form of moving blankets as a framing device. The photographic images housed within explore abstracts, a fragmented index of information from the beginning of known documented knowledge pertaining to surgical knots. Suspended knot braces become the support for sculptural clay forms, which are reminiscent of the body. Moving blankets deprived of their imagined utility have become the framing units for studies of surgical knots. These knots have three origins of intended use but the focus has been placed on how the knots hold a patient in position.
Detail, Archival Pigment Print mounted to dibond
Detail, Archival Pigment Print mounted to dibond
Detail, Archival Pigment Print mounted to dibond
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